20世纪前期中国审美现代性的历史进程与逻辑内涵

The Historical Processes of Chinese Aesthetic Modernity and Logic Connotation in the early 20th Century

中西方社会经历了不同的历史进程,现代性发展的道路迥异。西方的转型期是从产业革命开始的,是物质现代性先行发展,然后用审美现代性对其进行反拨;中国的转型期则是物质和审美两方面几乎同时担负着现代性发展的任务。20世纪前期,中国社会在反帝反封建的历史背景和时代要求之下,审美现代性具有双重含义:在整体社会构架上按照"美的规律"建设中国社会的现代体系,在具体审美文化领域内从"民族独立"和"人的解放"两个维度推进社会的转型发展。审美实践中则表现出在整体进程上符合"美的规律"的一维性和在具体语境中由于社会要求的差别化而导致的两维度间侧重点不同的逻辑内涵。

The developing trends of Chinese and Western society experienced different historical processes,and the roads of their modern development were quite different.The transitional period of the West started from the industrial revolution,and the development of material modernity was firstly conducted,and the reflection on aesthetic modernity was followed.However,material and aesthetic modernity developed almost at the same time during the transitional period of China.In the early 20 th century against the historical background of anti-imperialism and anti-feudalism,aesthetic modernity had dual connotations:firstly,modern system of Chinese society was built in the light of'aesthetic rules'in terms of the whole social structure;secondly,the transitional development of society was promoted from the perspective of'national independence'and'man's liberation'.Aesthetic practice was characterized by the agreement of the whole process with one-dimension of'aesthetic rules'and the logic connotation of two dimensions resulted from the different social demands.