摘要
在当代流行的中国古代审美形态,具有传承性、技术性、图像性、展演性和实用性特征,是中国文化稳态发展和文化主体性的表现;当代流行的本土化了的西方审美形态体现了西方血统与中国精神的融合;当代中西相通的传统审美形态,具有普遍性、愉悦性和大众性特点,表现了中西审美形态沟通的现实性;当代正在生成的戏仿、冏和风貌等审美形态,具有开心、巧智、解构和无美而乐的特点,体现了后现代价值观。当代中国审美形态的存在和发展,展现了中国审美形态的丰富性、传承性、主体性,对于建设有中国特色的美学体系,具有重要的启发意义。
There are characteristics of inheritance , technical , image , performance and practical in contemporary popular Chinese ancient aesthetic formations , which featured Chinese cultural with steady development and subjectivity . The Sinicized contemporary popular western aesthetic formation in China embodies the fusion of Western origin and China spirit . The contemporary popular traditional aesthetic formation shared by both West and China has the characteristics of universal , pleasure and mass , and shows the real communication between Chinese and Western aesthetic formations . The becoming contemporary Chinese aesthetic formation such as parody and mental outlook with the features of happiness , wisdom , deconstruction and no beauty but pleasure , has manifested the postmodernism values . The existence and development of contemporary Chinese aesthetic formation shows richness patterns ,inheritance , subjectivity , which have important significance to establish cultural confidence and build aesthetics system with Chinese style .
出处
《西北师大学报(社会科学版)》
CSSCI
北大核心
2014年第4期48-56,共9页
Journal of Northwest Normal University(Social Sciences)
基金
国家社会科学基金项目"中国审美形态研究"(11XZW001)
教育部人文社会科学基金项目"内审美理论研究"(10YJ751076)
关键词
当代审美形态
传统审美形态
本土化
中华审美精神
contemporary aesthetic formation
traditional aesthetic formation
localization
China aesthetic spirit