《玉台新咏》中服饰意象的美学探析

The Aesthetic Analysis of Finery Imagery in " Yu Tai Xin Yong"

《玉台新咏》这部诗歌总集,作为宫体诗的代表作品,大多诗人将他们的笔墨放在了对女性的描写之上。而作为表现女性之美的服饰成为一种意象频繁出现在诗歌中,它不仅体现的是魏晋六朝诗人的一种审美观念。而且有些意象还深深地表达了诗人相思之意或者愁苦之情。本文着眼于服饰意象,力图从"罗类衣物"、"带"、"巾"等意象群来分析诗人的情感,解读六朝诗人的美学思想。

' Yu Tai Xin Yong' is the collection of poems, as the Palace of representative works of poetry, most poets will be placed on top of their pen and ink depictions of women. As the performance of the U.S. women's clothing has become a frequent imagery in poetry, it is not only an aesthetic ideas embodied in Six Dynasties poet. And some imagery also deeply the meaning of the expression of the poet Acacia feelings or sorrow. This article looks at clothing imagery, trying from 'Luo class clothing', 'band', 'towel' and other imagery group to analyze the poet's feelings, interpret aesthetics Six poets.