摘要
本文意在探索当代的文献编集这类有别于其他采用类似编集形式的艺术作品,强调文献编集本身即艺术。笔者通过研究英国艺术家欧内斯特·埃德蒙(Ernest Edmonds,1942-)及其2000年以来以"注释"为名的创作,具体探讨了作品特征、创作起源和观念来源这几方面的问题。笔者分析了埃德蒙存放在德比郡哈瑟西奇档案馆的大量文档材料,结合伦敦维多利亚和阿尔伯特博物馆的照片、制图和绘画,以及近两年来自己对艺术家本人以及归档保存其作品的策展人的一系列访谈,给出了相应的答案。
This article aims to explore a contemporary documentation art project,which differs from other works of art that take the form of documentation as art,to become a work of art per se.Its focus is on the experience of British artist Ernest Edmonds(b.1942) and his ongoing project titled Notes on...,started in 2000.What is its specificity? What were the origins of this work and its inspirations? By combining the analysis of archival material held at Ernest Edmonds' s archive in Hathersage,Derbyshire,the Prints,Drawings and Paintings Collection at the Victoria and Albert Museum,London,and a series of interviews conducted by the author during the past two years with the artist and curators involved in archiving,preserving,and curating Edmonds' s works,this article answers these questions.
出处
《装饰》
CSSCI
北大核心
2015年第3期50-63,共14页
