别现代:美学之外与后现代之后——对一种国际美学潮流的反动

Bie-postmodernism:Beyond Aesthetics and after Postmodernism——On Reaction to an International Aesthetics Trend led by Welsh Wolfgang

当前美学的创新不应该建立在对经典美学的否定和抛弃的所谓"回归"上。西方后现代美学的要害在于,企图借助解构狭隘艺术论美学的藩篱而否定整个经典美学,解构经典美学。后现代美学思潮中包含着否定性因素,其自身也终将被自我超越、自我否定。因此,思考后现代之后的美学已近在眼前。要用后现代的思想和方法解剖后现代,解构后现代,批判后现代,利用后现代的思想成果,在后现代的思想高度上达到新的思想高峰,超越后现代。与西方后现代的反本质主义及其厌弃理论、解构理论相比,中国不是理论过剩,而是理论贫乏;不是本质主义过度,而是本质研究不足。因此,中国美学在后现代语境中应该秉持"别现代"的理念。这种别现代美学就是反后现代之道而行之,注重原创、重视理论、建构理论、创造主义、打造经典。

The renewal of aesthetics should not be based on denying classic aesthetics or deserting the return of aesthetics.The key of Western post-aesthetics is to deny or deconstruct the whole classic aesthetics by means of deconstructing narrow artistic aesthetics.Postmodernism aesthetics contains elements of negation,and postmodernism aesthetics itself will be transcended and denied.Therefore,postmodernism theory should be used to explore,deconstruct and criticize postmodernism.The advantage of postmodernism should be utilized so as to surpass postmodernism and arrive at a new peak.Opposite to western postmodernism which dislikes theory establishment and tends to deconstruct theory,Chinese aesthetics is not theoretically surplus but lack of theory,and lack of essentialism studies rather than excessive essentialism.Therefore,Chinese aesthetics should hold the idea of another postmodernism which is anti-postmodernism with emphasis on original theory creation.