摘要
本文着眼于当代中国古代文论之现代转换的研究现状,意在探讨其出路的选择中所隐含的文化取向。古代文论之现代转换究竟应当如何走出理论困境,构想不一;对如是构想之所以出现的来由分析,是推动其客观发展的前提。本文指出,一方面,在总体趋势上,古代文论之现代转换的出路选择呈现出的是一条从建构到解构的曲折道路,八十年代思想建构的浪潮最终消弭于九十年代文本解构的冲动中。另一方面,在方法论上,开放性的系统观被广泛接受,封闭性的整体理念所潜在的话语权力遭到了抽离和消解。这使得学者们更愿意采用多元与对话的视角和态度思考问题,在多种文化资源的激发下,于个人思性层面,以个性的自由与融通走出古代文论之现代转换研究的理论困境。
Focusing on the contemporary research of the modern transformation of ancient literary theory in China,the paper intends to expose the implied cultural orientation behind the different ideas of and approaches to the modernization of ancient literary theory. This paper points out that,on the one hand,the approach to the modern transformation take the route from construction in the 1980 s to deconstruction in 1990 s and that,one the other hand,in terms of methodology,the need for an open system is widely accepted and the discursive power of closed conceptual system is undermined and dissolved. As a result,pluralist and dialogic perspectives and attitude are taken into the thinking and the various cultural resources prompt the scholars to find ways out of the theoretical dilemma of modern transformation of ancient literary theory by way of freedom and commensurability of individuality.
出处
《文艺理论研究》
CSSCI
北大核心
2015年第2期58-67,共10页
Theoretical Studies in Literature and Art
基金
国家社科重点项目"新时期文艺理论建设与文艺批评研究"[项目编号:12AZD012]的阶段性成果
关键词
古代文论
现代转换
解构
开放性
多元
对话
ancient literary theory
modern transformation
deconstruction
openness
pluralism
dialogue