摘要
乾嘉时期社会相对承平,诗坛主将袁枚、赵翼等人推崇诗歌的"风趣",朝野上下风从影随,"风趣"成为诗坛的风尚,时人多以"风趣"归指袁枚等人的诗学旨趣,将他们归结为流派是后人理论构建的需要,有过度阐释之嫌。从内涵而言,"风趣"是作者在对社会现象的诗性感悟中所体现出来的谐趣,是创作主体的机灵诗才的表现;从外延看,"风趣"是相对于重道德教化的诗论而言,"风趣"虽然不排斥家国情怀,但以日常闲适的机趣为主要倾向。乾嘉诗坛的这股诗潮与通俗文学的涌动、时代学术思潮及诗学发展的内在规律有关。
In the period of Qianlong and Jiaqing reign of the Qing Dynasty with the relative social stability,the leading poets pursued a style with witty humor,which led to the social fashion in poetry.Though Yuan Mei's taste was looked upon as poetic objective,it would be an interpretation to theoretically generalize it into the doctrine of a poetry school.The connotation of witty humor was the author's poetic sentiments toward social phenomena,which showed the poet's artistic craft.The denotation of the concept was relative to the poetics emphasizing moral function of literature.While the concept of witty humor did not exclude patriotism,daily leisure was its main pursuit.The trend of poetry in the period of Qianlong and Jiaqing reign was linked with the rise of popular literature,the era of academic thought and the development of the internal principle of poetry.
出处
《文艺理论研究》
CSSCI
北大核心
2015年第3期189-199,共11页
Theoretical Studies in Literature and Art
基金
教育部人文社会科学重点研究基地重大项目"中国文学艺术批评通史(清代卷)"[项目编号:12JJD750002]的阶段性成果
关键词
风趣
乾嘉
性灵
witty humor
Qianlong-Jiaqing reign
spirituality