试论黄翔鹏音乐史学研究中“多重证据法”的运用

A Discussion on the Applications of Multi-Evidence Methods in Huang Xiangpeng's Study of Musical History

黄翔鹏先生在中国音乐史学界有着举足轻重的学术地位。他为摆脱"哑巴音乐史"的窘境而不懈努力,明确提出了"传统是一条河流"的重要思想,这已成为如何在音乐史中建立和深化证据长链的整体性指导思想。他身体力行,成功运用"多重证据法",在音乐考古、曲调考证等方面取得了一系列重大突破,对中国古代音乐史"史证范式"的构建作出了重要贡献。他还十分重视资料建设,为古代音乐史研究夯实了史料基础。

Huang Xiangpeng has a decisive academic position in the field of Chinese music history. He has made unremitting endeavor to get over the awkward situation of 'mute music history'. He points out that'tradition is a river', which has become an integral guiding thought for establishing and deepening the longchain evidences in the history of music. He sets an example by successfully taking part in using the multievidence methods, leading to a series of major breakthrough in the aspects of musical archaeology and research on tune. He also pays much attention to the material construction and lays a solid basis of historical materials for the research on ancient Chinese music history. The integration applications of 'multi-evidence methods' in Huang Xiangpeng's research made great contributions to the construction of historical testimony type for the ancient Chinese music history.