莫言创作的民间经验与文化审美精神

The Folk Experience and Cultural Aesthetic Spirit of Mo Yan's Novels

以说书人的身份讲故事,作为老百姓写作,这是莫言进行文学创作的观念与主张。莫言以民间经验与民间文学传统作为创作动因,完成了融合着民间与想象、现实与历史的生命思考与审美观照。作为原乡精神的寄放之所,"高密东北乡"自1985年出现在莫言的短篇小说《秋水》中至今已有30年,成为其专有的文学地理标识。在此文学微地之上,莫言以自在的叙述语境勾勒出由民间经验中的人物与事件所组构的叙事时空,又以超验的叙事形态延伸着作品内在的审美意蕴,以悲悯情怀塑造着与生命、艺术、哲学相互融汇而生的文化精神形态,展现生命力量与生存智慧,从而生成中华民族文化之于世界的重要意义。

The concept and proposition of Mo Yan's literary creation are to tell stories as a storyteller and to write novels as an ordinary people.Mo Yan,taking the folk experience and the folklore tradition as his creative motivations,completes the life thinking and the aesthetic view,which integrate with the folk and the imagination,as well as the reality and the history.As a deposit of Mo Yan's native land spirit,Northeastern Gaomi County has appeared 30 years since it came up in a short story named Autumn Stream in1985,which becomes a proprietary geographical indication of Mo Yan's literature.On the basis of that place,he draws the structure of narrative time and space by the characters and events from the ordinary life in a comfortable narrative context,extends the inner aesthetic rhyme with a transcendent narrative form,shapes the cultural spirit mercifully from life,art and philosophy,shows the vitality and the survival wisdom,and then results in that the Chinese culture is of vital significance to the world.