艺术的终结或“最后一瞥之恋”

The End of Art or“Love at Last Sight”

在全球化和当下双重语境下,艺术的内涵与外延发生了巨大变化,一方面表现在艺术概念、艺术形态、艺术功能、艺术价值等出现了新的特征,另一方面则是艺术和哲学、历史、社会、美学等呈现出新的关系。艺术的新变使得原有关于艺术的阐释理论变得"不合时宜",以至于当下对于解答"艺术是什么"、"什么样的艺术是艺术"以及"真正的艺术在何处"等问题变得十分必要。尤其是在阿瑟·丹托的"艺术终结"论提出之后,艺术的发展命运成为悬在艺术史和当下艺术实践中的一个重要命题。厘清上述问题,不仅能够为当下多元化的艺术生态提供有效的理论资源,同时有助于艺术实践激发新的活力,开创新的天地。

In the dual context of contemporary and globalization,the connotation and denotation of art have changed greatly.On the one hand the new features of the concept of art,artistic forms,artistic function and artistic value have taken place and on the other hand the new relationships between art and philosophy,history,society and aesthetic has presented.The new changes of art make the original interpretation of art theory'inappropriate',so that in the present it becomes necessary to explain what art is,what kind of art can be called art and where the real art is.Especially after Arthur Dan put forward his theory of the end of art,the fate of the art became an important issue suspending in the history of art and the present art practice.The clarification of above issues can not only provide effective theoretical resources with the present diversified artistic ecology,but also can be conducive to creating apromising future for the artistic practice.