中国城市转型之艺术干预基本模式初探

A Preliminary Study on Art Intervention Models in Urban China Transformation

随着中国当代艺术日益受到国际重视,由艺术家、策展人、建筑师等构成的广泛群体对中国城乡发展的进程和城乡空间的重塑方兴未艾,艺术对中国城乡的干预变成一个显性问题,但是,国内有关研究相对不足。梳理近年来西方学术界有关艺术与地理的相关文献,结合艺术干预中国城乡建设的具体个案,可以探究出艺术对中国城乡干预有6种基本模式:对城中村艺术干预的多元差异化模式;艺术介入老工业城市转型和老厂房改造的文艺商区模式;对房地产新建项目和城市综合体艺术介入的艺术品味与符号资本模式;对旅游城镇艺术干预的小资消费模式;对文创园区艺术介入的政府扶持模式;对城市艺术双年展项目的瞬间激活模式。

With the wide acceptance of Chinese contemporary art in international arena, a wide range of artists, curators, and architects are passionately engaged in China's urban transformation. The art intervention in urban China has become an overt question. However, research in this regard is scarce. This paper seeks to make a literary review of works on arts and geography in Western academic world, and discuss specific cases to illustrate the basic patterns of art invention in urban China. The influence of these patterns upon Chinese cities can be categorized into six types: the differentiation pattern in urban villages; artistic and commercial pattern based on industrial heritage in the transformation of old industrial cities and old factories; artistic taste and symbolic capital pattern in the newly constructed real estate projects and urban complexes; petit bourgeois consumption pattern in tourist cities and towns; government support pattern in creative clusters; instant activation pattern of the city's art biennale.