论李煜和李清照后期词作视角维度的差异性

On Visual Angle Discrepancies of the Latter Poems by Liyu and Li Qingzao

李煜和李清照后期词作均以"悲愁"为主基调,但创作视角呈现明显的差异性。物象选择上李煜厚重,清照轻薄;意象渲染上李煜浓墨重彩,毫无掩饰,清照却是淡薄蓄雅,欲说还休;意境铺展上李煜由大至小,落在悲剧的浓度上,李清照则从小处切入,由点到面,落在悲剧的广度上。究其成因,既有个体悲剧性体验程度的不同,又有自我价值认同感的不同,同时还因社会文化催化力的不同。

While the prime tone of the latter poems by Li Yu and Li Qingzao mainly stresses on 'sadness and sorrowfulness,'the visual angle presents quite distinctive discrepancies. For physical images,Li YU prefers the royal dignified and stately ones, and Li Qingzao is inclined to have the worldly living pictures. For the representation of images,Li Yu states explicitly with strong inner conflictions,while Li Qingzao presents implicitly with much reserve. For the aesthetic mood,Li Yu starts from panorama to details,with much more stresses of the strength on the tone of sad and sorrow,while Li Qingzao gets on the opposite way with her breath focused on the tragic color. Three points can account for their discrepancies,among which are their individual experiences of tragic life,the identification of self value,and the social culture in which they live.