摘要
本文结合相关背景资料 ,从理论上较深入地梳理比较了李少红和琼瑶的电视剧创作策略 ,其中 ,性别意识之不同导致了二人在剧情和男女角色处置上有较大差异。本文还将电影批评中的“类型”、“作者”等概念引入电视剧批评领域 ,既为进一步深入分析研究对象 ,也是给当下影视批评领域些许建设性意见。
This article has analyzes the creation strategies in Li Shaohong's and QingYao's TV plays. Because of deferent gender standpoints, they have taken deferent ways to write their plays and design their characters. This article brings some concepts in film criticism such as “the writer's” or “the type” to the TV play critique circle, which could be for deeper researching on the objects here, as well as for giving some advice to the film and TV critique circle.
出处
《云南师范大学学报(哲学社会科学版)》
2004年第4期113-116,共4页
Journal of Yunnan Normal University:Humanities and Social Sciences Edition
关键词
李少红
琼瑶
言情剧
影视
Li Shaohong
Qiong Yao
romance plays
movie and TV