中国当代散文批评艺术研究谫论

On Criticism Art of Contemporary Chinese Prose

在20世纪的中国文学中,散文创作取得了令人瞩目的成就,这已是不争的事实。而与散文创作繁荣的态势相比,20世纪的散文理论批评却一直处于较为尴尬的境地。换言之,它一直处于"断裂中的痛苦与困惑"之中。要使散文研究、散文批评在新的世纪有所作为、有所突破和有所跨越,其关键在于要对以往的散文研究进行实事求是、恰如其分的梳理和总结;要强化学科研究的规范,建立以当代意识为基点的散文理论批评视野,同时更要敢于破除各种既定的散文观念和模式,大胆引进现代的批评概念和方法,以寻找散文研究中新的立足点和生长点。

In Chinese literature in the 20 th century,the remarkable achievement of prose creation is obvious to the facts,but compared with such an achievement,the prose theory of criticism in the 20 th century has been in the position of embarrassment,or rather,it has been in a fracture with pain and confusion. The key to effective prose criticism with new academic starting points lies in the summarizing and reflection of previous criticisms,the enhancement of academic norms,the setting- up of prose criticism perspectives based on modern consciousness,the breaking- through of traditional prose conceptions and modes,and the introduction of modern criticism conceptions and methodologies.