摘要
韩东是"第三代"诗人的主要代表之一,早年因诗而获得巨大声名。20世纪90年代初,韩东"转行"小说写作,又迅速成为"晚生代"小说的重要作家。本文主要论述韩东的早期小说创作(1989-1997年),共分为五个章节:一、作为小说家的韩东;二、个人化:打开灵魂之门的钥匙;三、对灵魂的掘进和逼视;四、"游走者"及其独特的反抗姿势;五、反讽、喜剧色彩及语言风格。通过对韩东早期小说的微观研究,充分肯定了他作为"晚生代"重要小说家的思想意义和文学价值。文章的最后部分,对韩东小说的某些"缺失"也进行了适度的分析。
As a chief representative of "the Third Generation" poets,HAN Dong’s fame rose with his poetry.In mid-1990s,HAN Dong switched to fictional creations and was swiftly listed as an important storyteller of "1980s Generation" writers.The present paper mainly reviewed HAN Dong’ early stories(1989—1997) in five sections: 1.Storyteller HAN Dong;2.Individualization,the key to opening the gate of soul;3.Digging into and staring at the soul;4."Roamer" and his peculiar rebellious posture;5.Ironical and comic flavor and its linguistic styles.The microscopic observation of his early stories gave a credit to his ideological significance and literature values.The last part of the paper was devoted to an analysis on some "missing" elements in his stories.
出处
《三江高教》
2011年第2期31-39,共9页
Higher Education of Sanjiang University
关键词
韩东
早期小说
晚生代
个人化
HAN Dong
Early Stories
"1980s Generation" Writers
Individualization