摘要
亚里士多德的《诗学》冲破了柏拉图设定的文学作品不能描写恐怖、凶杀、罪恶等"黑色"内容的禁区,最早有意识地从理论上探讨了文学作品表现"黑色"内容的审美特征、审美功用及存在价值。这使得《诗学》成为以"黑色"著称的哥特式小说创作的理论渊源和最早的存在依据,为我们理解、认识哥特式小说及其在世界小说发展史上的影响提供了强有力的理论支持。
As a fundamental work of western literary theory, (Aristotle's) Poetics has far-reaching significances. More importantly, it breaks (Plato's) delimitation of literary works to explore the aesthetic features, functions and values of 'dark contents'—— horror, murder, crime, etc. Thus Poetics provides both a theoretical origin for Gothic novels and a strong theoretical support for the understanding of Gothic novels.
出处
《四川大学学报（哲学社会科学版）》
CSSCI
北大核心
2004年第4期80-83,共4页
Journal of Sichuan University：Philosophy and Social Science Edition
