摘要
中国近期电影后现代性流变,体现在对权力话语改写、错位、疏离和消解上,呈现出明显的消费性能指,尽量满足观众的视听快感,稀释了人文内涵,荡平了美学深度。
The development of post modernity in recent Chinese films embodies the adaptation of authoritative sayings, discarding authoritative sayings, and estranging and clearing up authoritative sayings. They also show clear signs of consumption, try to satisfy the audience's audio and visual sensation by diluting the connotation of humanity, and a filling and leveling up of aesthetic depth.
出处
《保定师范专科学校学报》
2004年第3期58-63,共6页
Journal of Baoding Teachers College
关键词
电影
后现代性
权力意志
films
post modernity
the will to power