摘要
美国作曲家巴比特创作的钢琴曲《分割》体现了其序列音乐创作的技法特征。文章从音高结构的角度来审视和分析全曲,指出了构成作品的基本音高组织是“核心序列”;构成作品的基本方式是“核心序列”的“分割”,从而揭示了这首作品从内核到外延,从局部到整体,从和声到整体结构的逻辑关系。
American composer Milton Babbitt's piano work Partitions showed his technical features of serial music composition. The article analyzed the whole work from the viewpoint of pitch structure, and point out the basic pitch structure was a nucleus serial, and the basic method to form the work was partitions of the nucleus serial. It showed the work logic relationship from kernel to extension, from part to whole, and from harmony to the integral structure.
出处
《黄钟(武汉音乐学院学报)》
CSSCI
北大核心
2004年第3期32-36,共5页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
巴比特
十二音序列
核心序列
分割
Milton Babbitt (1916- ) , Twelve-Note Serial, nucleus serial, Partitions