笔墨在中国画教学中的新概念

The New Concept of "Pen and Ink" in the Teaching Practice of Chinese Paintings

本文就中国画的“笔墨”这一概念,提出了新的见解。传统的笔墨已经不能适应现代社会,已无法期望它在现代社会获得新生。中国画的媒材不只能诞生传统的笔墨,它一定能在现代社会产生全新概念上的笔墨。关键是抛弃原有的笔墨理念和程式,在媒材这块土地上重新耕种。“笔墨”不是传统的“笔墨”形式,它仅作为一种性能独特的媒材而存在。除去原有对“笔墨”的桎梏,创造出一个全新的笔墨天地。中国画教学的改革,现在已经触及到了“笔墨”这一最为本体的问题。

The thesis puts forward some new ideas about the concept of 'pen and ink' of Chinese paintings. The traditional'pen and ink' does not fit in with the modern society any longer, nor can it be reborn during the modern society. The media ofChinese paintings produced not only the traditional 'pen and ink', but also 'pen and ink' of new concept in the modern society.The key of the matter is to regenerate the media, abandoning the original concepts and patterns. The 'pen and ink' is nolonger the traditional one, it exists in a peculiar form of media, smashing the original shackles of 'pen and ink'. Nowadays thereform of Chinese paintings has got to the essence of 'pen and ink'.