摘要
中国画“山水之变”,关键人物不是吴道子、王维,而是擅画“树石”的张。山水画在六朝至唐代中期,有一个发展的停滞期,其原因在于山水画没有形成自己独立的艺术“语言”皴法,而这种“语言”是不可能形成于魏晋以来传统的山水画内部的。张“树石”为山水画的“语言”独立开辟了道路。
The most important persons in the transformation of Chinese painting were not WuDaoZi、WangWei, but ZhangZaowho was skilled in painting 'trees and stones'. The landscape painting was at a standstill from Six Dynasties till the Mid-TangDynasty, for landscape painting didn't form its own artistic language___ cracking method, which could not come into beingfrom the interior of traditional landscape painting from Wei Jin on. ZhangZao's 'trees and stones' opened a new road for thelanguage of landscape painting.
出处
《南京艺术学院学报(美术与设计)》
2004年第3期37-39,共3页
Journal of Nanjing Arts Institute:Fine Arts & Design
关键词
张璪
树石
山水画
ZhangZao, painting trees and stones, landscape painting