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董其昌“南北宗论”对中国画影响的两面观 被引量:1

Looking at Dialectically the Influence of Dong QiChang's "Theory of Southern & Northern Sects" on Chinese Paintings
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摘要 董其昌“南北宗论”对山水画进行分类,为我们提供了剖析绘画的哲学依据,他以禅喻画并提倡文人画,强调画家的道德修养及思想境界,对中国画的发展产生了积极的影响。但“南北宗论”同时也助长了绘画上的宗派之争,存在着明显的负面影响。 Dong QiChang classified the landscape painting according to his 'theory of southern & northern sects', which providedus philosophical foundation to analyze Chinese Paintings. He analogized the Chan sect with paintings and stressed moral characterand ideological level, which had a positive effect on the development of Chinese Paintings. However, the theory of southern &northern sects also encouraged the struggles among different sects, and caused obviously negative effect.
作者 袁俊华
出处 《南京艺术学院学报(美术与设计)》 2004年第3期56-58,共3页 Journal of Nanjing Arts Institute:Fine Arts & Design
关键词 董其昌 南北宗论 正负影响 Dong QiChang, theory of southern & northern sects, positive and negative effect
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  • 1侗瘘.论董其昌“南北分宗”的审美价值[J],美术史论[M].,文化艺术出版社,1984,4..
  • 2.美术论集(4)-中国画讨论专辑[C].北京:人民美术出版社,1986..
  • 3黄宗贤.中国美术史纲[M].西南师范大学出版社,1993..

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