摘要
董其昌“南北宗论”对山水画进行分类,为我们提供了剖析绘画的哲学依据,他以禅喻画并提倡文人画,强调画家的道德修养及思想境界,对中国画的发展产生了积极的影响。但“南北宗论”同时也助长了绘画上的宗派之争,存在着明显的负面影响。
Dong QiChang classified the landscape painting according to his 'theory of southern & northern sects', which providedus philosophical foundation to analyze Chinese Paintings. He analogized the Chan sect with paintings and stressed moral characterand ideological level, which had a positive effect on the development of Chinese Paintings. However, the theory of southern &northern sects also encouraged the struggles among different sects, and caused obviously negative effect.
出处
《南京艺术学院学报(美术与设计)》
2004年第3期56-58,共3页
Journal of Nanjing Arts Institute:Fine Arts & Design
关键词
董其昌
南北宗论
正负影响
Dong QiChang, theory of southern & northern sects, positive and negative effect