摘要
通过色彩的使用来摆脱文人画“笔墨”程式的束缚,寻求全新绘画风格的尝试,可以说是近现代以来中国画艺术探索的主要潮流之一,而正是这一契机促使了传统绘画设色观念的更新与发展。本文通过对现代重彩山水画艺术实践的梳理来解读传统“随类赋彩”的设色观念向现代设色观念的转变,并指出这种转变对于现当代中国画发展的整体性意义。
Breaking away from the formula of 'pen and ink' of literati painting and seeking new style of painting has been, as itwere, one of trends of Chinese paintings, it is the very juncture that promote the innovation and development of traditionalcoloring sense. The thesis interprets the transformation from the traditional concept of 'different kinds with different colors'to modern coloring concept by analyzing the artistic practice of modern landscape painting with strong colors, and points outthat the whole significance of this transformation to the development of contemporary Chinese paintings.
出处
《南京艺术学院学报(美术与设计)》
2004年第3期96-99,共4页
Journal of Nanjing Arts Institute:Fine Arts & Design
关键词
现代重彩山水画
随类赋彩
色调
设色观念
modern landscape painting with strong colors, different kinds with different colors, tone, coloring concept