画至神妙处必有静气——透视“静”与文人山水画

Perspective of "Tranquilty" and Landscape Paintings of Literati

本文通过分析“静”与文人山水画的内在联系,对“静”的内涵,“静”在文人山水中的外在表现面貌及“静”所产生的某些效用作了阐释,以期更好地理解和把握文人山水画这一绘画形式。

The thesis analyzes the internal relations between the tranquil quality and the landscape paintings of literati, and elaborates the intension oftranquilty, its external expressions in landscape paintings and certain effects of it, expects to understand and grasp the landscape paintings of literatibetter.