摘要
茅盾"五四"到大革命期间对表现主义的译介,具有鲜明的目的性和坚实的哲学美学基础,对内涵的把握也是精当准确的,其间的矛盾、偏颇、回旋根源于政治与审美两种现代性的纠缠。
The writer of this paper assumes that Mao Dun's precise interpretation of expressionism during the May 4th Movement and Great Revolution reflects his clear-cut stand and philosophically aesthetic foundation. All this proves that he understands the implicatures of the expressionism, despite his flickering conflicts, which are viewed as due to the politics and aesthetics.
出处
《河北师范大学学报（哲学社会科学版）》
2004年第4期79-87,共9页
Journal of Hebei Normal University(Philosophy and Social Sciences)
基金
河北省社科规划项目(200105002)
关键词
茅盾
表现主义
两种现代性的纠缠
Mao Dun
expressionism
conflicts of two modernities
