摘要
王昌龄作为一位著名的诗歌理论家,在诗歌情景理论发展史上首次提出了景、景物、景句、景语、意语、意句等崭新的概念,第一次明确地提出了作品内情景相兼(融)的看法,同时又在对作品内诗歌情景构成方式的分析上提出了崭新的思路和方法,因而对中国后期的诗歌情景理论的走向产生了重大影响,成为中国古代后期诗歌情景理论的奠基人和开创者。
As a theoretical poet, Wang Changling unprecedentedly proposes the brand-new concept of merging of the setting, image, and affection. And at the same time, the poet puts forward an analysis of the poetic sceneries, for which the poet is generally regarded as the founder of the post-classic Chinese poetry.
出处
《河北师范大学学报(哲学社会科学版)》
2004年第4期99-104,共6页
Journal of Hebei Normal University(Philosophy and Social Sciences)
关键词
王昌龄
情景概念
情景相兼
情景构成
Wang Changling
concept of affection and scenery
merging
formation