1Henrik Ibsen Samlede Verker, Oslo: Gyldendal Norsk Forlag, 1968, p. 346.
2Samuel Beckett, Happy Days, New York : Grove Press, 1961, p. 40 and p. 49.
3Samuel Beckett, Play, New York: Grove Press,1961.
4William H. Gass, Fiction and Figures of Life,New York: Alfred A. Knopf, 1970, p. 25. Alsosee Patricia Waugh, Metafiction: The Theory and Practice of Selfconscious Fiction, London and NewYork : Routledge, p. 2.
5Lionel Abel, Metatheatre. A New View of Dramatic Form, New York: Hill and Wang, 1963, p. 60,p. 60,pp. 83-85, p. 61.
6Richard Hornby, Drama, Metadrama and Theatre, London : Associate University Press,1986, p. 32, p. 32, p. 45, p. 32, p. 104, p.117.
7Michael Worton, " Waiting for Godot and Endgame: theatre as text", The Cambridge Companion to Beckett, Shanghai Foreign Language Education Press, 2000. pp. 67 -87.
8Paul Lawley,"Stages of identity: from Krapp's Last Tape to Play", The Cambridge Companion to Beckett,pp. 88 - 105.
9Harold Bloom, The Western Canon, Riverhead Books, 1994, p. 466.
10Martin Esslin, The Theatre of the Absurd, Penguin Books, 1980, p.46, p. 74.
