摘要
后现代主义文学中有许多自相矛盾的地方，这种矛盾并非是对与错的问题，不是质的概念，而是一种创作手段而已。本文试图对后现代作家常用的视觉手法进行分析解说，并与传统的创作手法进行比较，使读者更清晰地认识后现代主义文学与传统文学的区别。
The existing paradox in postmodernism is not that of right or wrong by nature. It is simply a mode of creation. This paper attempts to analyze the new conventions of visual media in postmodern writings against the traditional mode of writing so as to help readers distinguish, so to speak, the two different kinds of writing.
出处
《外语与外语教学》
北大核心
2004年第8期26-29,共4页
Foreign Languages and Their Teaching
关键词
后现代主义
影像拍照
录音文本
小说现实
生活现实
Postmodernism, photography, recording transcript, novelistic realism, actual realism
