摘要
该文将历来对张裕钊书法地位的评判分为三类,即褒张派、贬张派和折衷派,作者建议以诠释张裕钊书法的美学实质为突破口,构建一套全面、立体的评价系统,将张裕钊放在清代乃至中国书法史的坐标上,从文学、经学、教育学、心理学、社会学等多维视角,来模糊锁定(精确锁定为时尚早)张裕钊在清代书法史上的应有地位。
Assessmsnts about Zhang Yu zhao's Status in calligraphy are grorped into three schools in this paper, glorifying-zhang, belittling -zhang and eclecticism .The authors suggest an overall assessmsnt system, by taking the aesthetic essencs of Zhang's calligraphy as the breakthrough, should be established such a system will view Zhang from the approaches of literature, the study of Confucian class pedagoyy,psychology and sociology, put Zhang iu Qing dynasty as well as the entire Chinse calligrphy history and appvoximately determine Zhang's appropriate status in the calligraphy history of Qing Dynasty.
出处
《鄂州大学学报》
2004年第1期53-57,共5页
Journal of Ezhou University