摘要
20世纪 90年代 ,以台湾的《喜宴》和大陆的《刮痧》为代表的中国优秀喜剧片 ,在内容表现上不仅都提升到了文化的层面 ,具体展示了中国传统伦理关系的现代变奏 ,以及对中西传统文化的冲突与融合 ,并且在文化这一层面上 ,《刮痧》以更朴实和更深邃的人文意味超越了《喜宴》中所表现的对中西文化冲突的无奈的审美主题。
Taiwang's Xi Yan and Mainland's Gua Sha, comedies produced in the 90s of the 20th century, focus their content on the level of culture and concretely exhibit the variation of Chinese traditional ethical relations and the conflicts and intercourse between traditional Chinese culture and Western culture. In realizing their theme, Gua Sha dose a better job.
出处
《湖南大众传媒职业技术学院学报》
2004年第3期52-54,共3页
Journal of Hunan Mass Media Vocational and Technical College