摘要
本文主要考察中国传统音乐中以“思念”、“哀怨”、“宗教’为代表的“情感”母题,并对各自所蕴含的文化信息进行阐释。指出,中国文化中人际友情的“互渗”状态和人生独特的悲剧形态,使中国传统音乐的抒情风格偏向于内敛和含蓄;中国文化中人与神的独特关系和特殊的宗教意识,使得中国宗教音乐呈现出浓厚的世俗性品格和地方性特征。
[summary] In the article, the original subject of sensibility dealing with missing, sorrow complaint and religion is discussed and its cultural intention is explained. The author points out that it is the state of 'blend' in the relationship and friendship among Chinese people and the state of particular tragic life that make the expression style of Chinese traditional music restrained and connotative. And the unique relationship between human and divinity as well as particular religious consciousness make Chinese religion music show typical common-custom and local characteristics.
出处
《乐府新声（沈阳音乐学院学报）》
2003年第1期16-20,共5页
The New Voice of Yue-Fu(Journal of the Shenyang Conservatory of Music)
