精神世界的漫游与透射——论无名氏对《浮士德》象征艺术的接受

The Wandering and ReflectiOn Of the lnner Vbrld On WuMingshi’s Acceptance of Symbolism Applicationin<<Faust>

象征是无名氏进行创作的主要艺术手法 ,他通过象征手法的运用达到对其精神世界的漫游和透射 ;这一点 ,与《浮士德》非常相似。本文从小说人物、故事结构和意象的摄取三个方面论述无名氏对《浮士德》象征艺术的接受。

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