1Terry Eagleton, Literary Theory: An Introduction ( Minneapolis:University of Minnesota Press, 1983), p. 186.
2Julia Kristeva , Semiotike : Recherches pour une semanalyse ( Paris :Seuil, 1969), p. 255.
3Julia Kristeva, La Revolution du language poetique ( Paris: Seuil,1974) ,pp.388 - 9.
4[18]Harold Bloom, Poetry and Repression: Revisionism from Blake to Stevens ( New Haven: Yale University Press, 1976), p. 3,p.2,p.2.
5[12][17][19][20][21]Harold Bloom, The Anxiety of Influence : A Theory of Poetry ( Oxford: Oxford University Press, 1973 ), p. 43, p. 21,p.58,p.94,p.96,p.96,p.11.
6Ann Jefferson and David Robey eds., Modern Literary Theory: A Comparative Introduction (London: Batsford Academic and Educational Ltd., 1982), pp. 1 - 15.
7就笔者所知,韦勒克曾在三个地方探讨过文学史问题,参见 Rene Wellek, Concepts of Criticism ( New Haven: Yale Univeristy Press, 1963), 137 - 53页; Rene Wellek and Austin Warren,Theory of Literature ( New York: Harcourt Brace Jovanovich,1977) ,252-68 页; Rene Wellek, "The Fall of Literary History", The Attack on Literature and Other Essays (Chapel Hill: The University of North Carolina Press, 1982) ,64 - 77 页.
8Harold Bloom et al., Deconstruction and Criticism ( London: Routledge and Kega Paul, 1979) ,pp.vii - ix.
9Jonathan Culler, Pursuit of Signs: Semiotics, Literature, Deconstruction ( New York: Cornell University Press, 1981 ), p. 108.
10John Frow, Marxism and Literary History (Massachusetts: Harvard University Press, 1986), p. 128.