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我跟沈玉才老师学琴 被引量:1

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作者 蒋莘
出处 《中国京剧》 北大核心 2004年第8期30-31,共2页
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  • 1孟兆祯.善于继承 敢于革新——赞李慕良京剧音乐的创新成就[J].中国戏剧,1997,0(6):35-37. 被引量:1
  • 2Raman, C. V. "On some Indian stringed instruments. " [J] Proceedings of Indian Association for the Advancement of Science. 7:29--33, 1922.
  • 3Cabannes, H. , Citrini, C. "Vibrations with unilateral constraints."[J] Euronvech. 209, Como, 1986.
  • 4Burridge, R. , Kappraff, J. , Morshedi, C. "The sitar string, a vibrating string with a one--sided inelastic constraint. " [J] SIAM Journal on Applied Mathematics. 42(6) : 1231-- 1251, 1982.
  • 5Valette, C. "The mechanics of vihrating strings. " [M] In: Mechanics of Musical Instruments (edited by A. Hirschberg, J. Kergomard and G. Weinreich), Springer--Verlag, pp. 115--184, 1995.
  • 6Fujise, A. , and Yoshikawa, S. “Model experiments on the‘sawari’ mechanism: vibrational behavior of a string with a moving boundary.” [M] In: Proceedings of the International Symposium on Musical Acoustics, pp. 96--99, 2004, Nara, Japan.
  • 7Yoshikawa, S. "Acoustical classification of woods for string instruments."[J] The Journal of the Acoustical Society of America. 122(1):568--573, 2007.
  • 8蔡振家.野性的呼唤--浅谈音乐中的嘈杂音色.物理双月刊,2007,(5):917-919.
  • 9Tsai, C. G. "Inharmonic sounds of bowed strings in Western music and Beijing opera. " [J] The Journal of the Acoustical Society of America. 120(5): 3119--3120, 2006.

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