摘要
“游”是中国封建社会伦理道德、人格力量以及审美情操之间的一个中介 ,艺术的魅力也全在一个“游”字上。游则动 ,动则灵 ,则有生命力 ,中国艺术的最本质的因素就在于表现人的生命精神、哲学精神。正是在“游”这种美感心态和中国传统艺术思想的渊源下 ,中国传统绘画的笔墨才那么韵味无穷 ,那么轻松、自然、豪放。“观万象达于心而后立象” ,“游心”于笔墨 ,表现出来的才是画家所要塑造的艺术形象。而笔墨之得失 ,亦本乎于“游”。“笔墨当随时代” ,然观乎笔墨之现状 ,觉得确实令现代人深思。现代中国画出新 ,关键在于一种全新的理解 ,解释和实践 !当以“游”之 ,游则动嘛 !
Tour' is a medium which links ethic in Chinese fedual society with personality power and aesthetic judgement. The charming of art relys on 'tour','tour' causes action,and action brings about intelligence,that is live. Directed by 'tour' and Chinese traditional arts thought,Chinese traditional painting appear so meaningful. 'Tour' shows what painter wants to describe art image,and pen and ink is decided by 'tour'. Nowadays,Chinese paining lies in new comprehension,expression and practice,'tour' brings about action.
出处
《巢湖学院学报》
2004年第4期90-93,共4页
Journal of Chaohu University
关键词
游
笔墨
出新
tour'
pen and ink
blaze new trails
