从孔衍透视明清文人画的绘画精神

A Closer Look at the Painting Spirit of Ming and Qing Literati Painting Through Kong Yanshi

文人画在明清之际已成为绘画的主流,但自20世纪初开始,对文人画艺术尤其是明清文人画的褒贬之争一直不绝于耳,明清文人画也在这长达百年的时间里伴随着如何正确评价、如何客观认识的问题而始终处在备受关注的焦点之中。本文以清代文人画家孔衍及其画论《石村画诀》为导入点,分别从自我情感的抒发、笔墨独立性的确立及表现、创新求变意识的高涨三个方面阐释了明清文人画的绘画精神。

Literati painting has been the mainstream of painting in the Ming and Qing dynasties. But from the beginning of the 20^(th) century, Literati painting, especially those in the Ming and Qing Dynasties have become very controversial. During this long period of nearly 100 years, it has always been the focus to know and value correctly and objectively this kind of art. This paper, bashing on Kong Yanshi, a famous literati painter in that period and his work The Recipe for Shicun Painting, attempts to interpret the painting spirit of literati painting in the Ming and Qing dynasties from the following three aspects: the expression of one's own emotion, the show and establishment of writing independence and the increasing consciousness of creativity and change.