摘要
《简·爱》中的桑菲尔德阁楼上被囚禁的伯莎·梅森并非是个"疯女人",她在小说中的每一次出现、每一次行动都是智者的所为。她不是简·爱与罗切斯特的爱情线索的陪衬人物,而是独领一条线索,揭示了女性被剥夺话语权与自主权后的艰难困境,全书并以这条暗线与简·爱所引领的公开争取妇女权利的明线相呼应。
Bertha Mason who was imprisoned in the attic of Thornfield in Jane Eyre is not a mad woman. What she did each time is likely to have been done by a wise woman. She is not a foil but a separated clue in the process of Jane and Rochester's love story. It reveals the hard situation of women who lost their right of speaking and sovereignty which worked in concert with the clue that Jane asked for the right of women.
出处
《扬州大学学报（人文社会科学版）》
2004年第4期28-33,共6页
Journal of Yangzhou University(Humanities and Social Sciences Edition)
