2John Haskins,"The Fazyryk Felt Screen and the Barbarian Captivity of Ts' ai Wen-chi," The Museum of the Far Eastern Antiquities (Stockhoim) 35,(1963), pp.145-146.
3Robert A.Rorex, Eighteen Songs of A Nomad Flute: The Story of Ts'ai Wen-chi (Ph.D. dissertation,Princeton University, 1974).
4Robert A Rorex, Eighteen Songs of A Nomad Flute: The Story of Lady Wen-chi (New York: The Met-ropolitan Museum of Art, 1974).
5Wen Fong, Beyond Representation,( New York:The Metropolitan Museum of Art,1992).
6Irene S.Leung,The Frontier hnagi-nary in the Song Dynasty (960-1279):Revisiting Cai Yan' s "Barbarian Captivity" and Return, (Ph.D. diss.The University of Michigan, 2001).
7Dore J. Levy, "Transforming Archetypes in Chinese Poetry and Painting: The Case of Ts' ai Yen",Asia Major Third Series,vol.6, part 2 (1993), p.164.
