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艺术批评的基本形态及批评模式的当代转化 被引量:1

Basic Formation on Art Criticism and Contemporary Transform of Criticism Mode
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摘要 从精神的自由性与独立性而言 ,艺术批评与艺术创作是相一致的 ,但其思维方式与实践形式则又是有差异的。艺术批评是以艺术作品及艺术活动为起点 ,通过对艺术作品及艺术活动的切实感受与体验 ,既而进行分析和判断 ,以理性思维为主并关系到结论的形成。在艺术批评实践中 ,因批评家认识艺术的视角、观念不同 ,并依据相关知识背景与理论体系及评价标准而形成不同的批评模式。艺术批评在中国当代实现模式转化的大背景主要是市场经济条件。 As far as the mental freedom and independence, art criticism is as same as art creation, but its mode of thinking is different from its practice form. Art criticism is taking art works and art activities as starting point, analyzing and judging through its feasible experience of art works and art activities, commentators both take rational thinking as the dominant factor and pay attention to the formation of conclusion. In art criticism practices, as a result of different visual angle and idea comprehending art, commentators form the different criticism mode with their correlative knowledge background,theory system and appraisement standard. In China the great background effects the contemporary mode of art criticism transformation is market condition, which brings up three aspects for transformation and development of mode on Chinese art criticism.
作者 宋生贵
出处 《广播电视大学学报(哲学社会科学版)》 2004年第3期89-93,共5页 Journal of Radio & TV University(Philosophy & Social Sciences)
关键词 艺术批评 主体性 当代性 Art criticism Principal part Contemporaneity
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  • 1王恩衷 编.艾略特诗学文集[M]国际文化出版社,1989.

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