滕固绘画史学思想探究——对滕固两部绘画史著的考察与比较

Teng Gu's Study of the History of Modern Painting: Examination and Comparison of His Two Histories of Modern Painting

民国时期是中国绘画史学从传统画史向现代绘画史学转型的重要时期。学者滕固在其短暂的一生中致力于美术史研究与美术考古。他在中国现代绘画史上第一次把西方“风格学”的研究方法引入中国绘画史研究 ,注重作品风格的分析。基“艺术作品本位的历史”观开中国现代绘画史学之先河 ,成为中国现代绘画史上第一位具有现代艺术史学意识的专业的美术史家。本文从绘画史观及绘画史研究方法论角度对滕固绘画史学思想作一探究。

The Nationalist period in China was an important turning point from the traditional to the modern in the historical studies of paintings. As a scholar, Teng Gu had been devoted himself to the study of art history and art archaeology in his short life. He introduced for the first time the Western stylistic methods into the historical studies of Chinese painting, laying emphasis upon the styles of the works. His conception of 'ontological history of artistic works' made him the first art historian with a historical consciousness of modern art and the first one who started the historigraphic study of the Chinese modern painting. This paper intends to make a study of Teng Gu's ideas of modern historiography of painting, focusing on his historical conceptions and methodologies of art history.