论中西美学中的“象”

On the Image of Aesthetics between China and the West

东西方由于文化渊源的不同 ,造成了中西方在哲学、美学上的显著区别 ,关于“象”或“意象”自然也就有不同的理解和界定。“意象”在中国传统美学中作为标示艺术本体的中心范畴 ,体现的是一种非现成化、非对象化、主客未分、物我相互缘发的构成境域和缘构势态 ,而西方美学“意象”具有现成化、对象化、主客分立的特征。

Because of the differences in cultural origin, there is prominent distinction of philosophy and aesthetics between China and the West. From this point of vies, there is different comprehension and defining of the Bild/Image. As a central category of labeling artistic noumenon in Chinese traditional aesthetics, Bild/Image expresses a constructive realm and Ereignis situation, which are non-existing, non-targeting, non-dividing of subject and object, and mutual occurring of outside-self. But in the West, Bild/Image has the features of existing, targeting, and dividing of subject and object.