摘要
胡风的文艺思想是从艺术的方法论和认识论的维度中展开的,与七月派作家的创作实践相生共融,两者整体呈现出审美现代性的特征。在创作方法上,是在主体性的基点上现实主义与浪漫主义、现代主义兼容;在叙事风格上,是一种诗性美感的彰显;在文化精神上,是一种生命意识的张扬;在话语机制上,是对生存主体的现代性启蒙。
Hu Fengs literary thought launches from the methodology and epistemology of the art ,and complete harmonized with July Styles writing practice. They both presented the characteristic of aesthetic modernity. On the artistic method, the realism is compatible with romanticism and modernism. In the narrative style, it showed the aesthetic rhyme and feelings. On the culture spirit, the life consciousness make open. In the meta-discourse, the spirit of the Enlightenment exists in the text.
出处
《邢台职业技术学院学报》
2004年第4期17-20,共4页
Journal of Xingtai Polytechnic College