浅论“气韵”在中国画创作中的意义

On the Significance of “Qiyun” in Chinese Painting

"气韵"论自六朝谢赫提出后逐渐成为中国美学极其重要的理论,对中国传统绘画艺术创作具有指导性与总结性的意义。作为审美准则的品评标准同时又作为绘画创作过程的具体方法,"气韵"论在创作实践中的意义体现为"气韵"与笔、墨、势、意境的关系。

Qiyun”, a conclusive and directive aesthetic abstraction on the traditional Chinese painting that was first proposed by Xie He in the period of the North and South dynasty, has gradually developed into an important school of the aesthetic theories in China. Now it serves as the aesthetic standard in evaluating the artistic works, and as well as the practical methods in artistic creation. This article starts from the fundamentals of the significance of “Qiyun” in artistic practice and then tries to reason out: 1. the relationships between “Qiyun” and evaluation; 2. the relationship between “Qiyun” and the stroke, the ink, the impetus and the imagery in Chinese painting.