摘要
中国古代诗文创作追求"中和之美",强调"诗缘情",注重意境的创造;中国书法创作则追求志气平和、不激不厉,强调"书为心画"、"达其性情",中国古代诗文理论对书法创作的影响、渗透,使二者的审美精神和理念呈"同源"之势。
In ancient China,'neutralism'was pursued in essay writing and the ancient essay laid emphasis on 'poetry out of affection'. It stressed the creation of artistic conception ,While the Chinese calligraphy ,in which much effort was put to the mood of a peaceful mind,is neither too excited nor too depresses.It stressed 'writing out of the image in the mind', 'expressing the nature', 'putting grief and enjoy into form'. The influence and the osmosis of the ancient essay to the calligraphy madem the both trend of their aesthetic sense of the same source.
出处
《信阳师范学院学报(哲学社会科学版)》
2004年第4期72-74,共3页
Journal of Xinyang Normal University(Philosophy and Social Sciences Edition)
关键词
中国古代诗文理论
书法创作
中和
缘情
意境
ancient Chinese essay
creation of calligraphy
neutralism
affection
image