期刊文献+

论中国画专业方向的书法课程改革

On calligraphic course for reform of Chinese painting speciality
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摘要 中国画学习者应当具备一定的书法基础,并在学画的同时,通过理论学习和技法实践提高书法水平。当今,画家可以不善笔墨、不会书法,理论家也排斥笔墨进而主张放弃书法。在高等院校的中国画专业中,《书法》(含篆刻,下同)课程普遍得不到重视,从而不能使中国画专业学生具备应有的书法基础。为此,应当改革教学,以新的课程教学体系来造就新一代高素质的中国画家和中国画教育家。 Both artists and students of Chinese painting speciality are not good at calligraphy, and the calligraphic course on Chinese painting speciality has not been valued, so its education is short of characteristics. It is significant that students drill calligraphy while learning Chinese painting by the way to handle material, to practice pen and ink, to enrich pattern, to make cultivation and to promote character, etc. The present situation of calligraphic level is so lowr that the teaching and learning should be reformed and the style of new calligraphic course should be built up.
作者 莫小不
出处 《杭州师范学院学报(自然科学版)》 CAS 2004年第3期175-177,共3页 Journal of Hangzhou Teachers College(Natural Science)
关键词 中国画专业 书法课程 课程改革 运笔技巧 Chinese painting calligraphic course educational style reformation
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参考文献3

  • 1[10]陈子庄.石壶论画语要[M].成都:四川美术出版社,1978年.
  • 2[11]宗白华中国书法里的美学思想[A].美学散步[Z].上海:上海人民出版社,1981.
  • 3[12]蔡树农.画家,你的书法如何?[N].美术报,2002-02-09

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