摘要
论文旨在分析“右派作家”与“知青作家”(也涉及“六十年代作家”)不同的悲剧意识和美学范式 ,发掘他们创作中的意识形态内涵 ,并以此为基础 ,把握规约新时期文学的历史动力和深层机制。论文认为 ,两代人的写作都是以各自共同的历史命运为根基 ,目的都是为了重建一种“想象关系” ,以确认自己的历史主体身份。由此他们采用了不同的叙事策略 ,作品也呈现出不同的美学风格。
This paper aims to analyze different tragic consciousnesses of two generations of Chinese writers,exploring the ideologic meanings in their literary works.The author argues that two forms of tragic writings both have their origins of shared experiences of two generations of writers.By telling tragic stories about their lives,the writers produce an imaginative relationship. Based on a thorough study of their aesthetic styles and narrative strategies,this paper aims to find the historic momentum defining the main stream of the Neo-era literature.
关键词
“右派作家”
“知青作家”
悲剧意识
意识形态
历史主体
美学范式
“Rightist writers”
“writers of school graduates”
tragic consciousness
ideology
historic subjectivity
aesthetic model
