论“香草美人”的原型意象及在《聊斋志异》中的范变

Vanilla and Beauty Changed in the Shape in Liao Zhai Zhi Yi

本文运用"神话———原型"理论从宗教祭祀的角度,探讨了九歌的性质、意义,指出《离骚》的诞生是源自九歌的祭祀仪式,并从此形成"香草美人"原型意象,随文化的传承积淀在集体无意识之中,裹挟着屈原的人格魅力和深沉温馨的原型意象经蒲松龄强烈而丰富的个体意识被激活,于《聊斋志异》中深沉地勃发,并被赋予崭新的内涵。

This thesis inquires into Nine-songs` quality and significance from religion sacrifice by using the theories of myth prototype and points out that Lisao comes from the sacrificial rites of Nine-songs and then forms the prototype images of vanilla and beauty, which have been hidden into collective unconscious with the disseminated culture. The undemonstrative and warm prototype images holding Quyuan`s moral quality is activated by Pusongling's strong and rich individual consciousness in LiZhaiZhiYi ,which were entrusted to brand-new connotation.