“胜过”现实的写作:王蒙创作与现实的关系

Writing of “More Than Reality": the relationship Between Wang Meng's Writing and Reality

在王蒙的写作中 ,总是有一种东西超出他置身于其中的现实 ,这种东西真正显示了王蒙的敏感性。王蒙在新时期的写作 ,大体上可以划分为三个阶段 :新时期前期的“春之声”阶段、本体转向的“来劲”阶段和后新时期的怀恋“季节”阶段。这三个阶段 ,王蒙都以特殊的方式与他所处的现实构成紧张的内在联系 ,或者说 ,他始终以他独特的方式超出、胜过他所面对的现实。王蒙以他的反思性、以他的语言修辞策略、以他对历史的执著记忆 ,始终超出他所处的历史。也就是说 ,王蒙是如此深切地沉浸在他所处的历史之中 ,又始终超出了历史给定的界线。他与他置身于其中的现实的主流思想意识形成了一定的偏差。这种偏差是如此的微妙 ,以至于我们不经意几乎觉察不出。这正是这种偏差的真实性所在。这使人们在把王蒙理解为一个主流作家时 。

In Wang Meng's writings, something of more than reality is felt, which shows Wang's sensitivity. Wang's writing in the New Period can be roughly divided into three stages: “Spring Sound', “High Spirits' and “Season'. His retrospection, language and exact memory of history have been more than what they should be, that's to say, Wang is deeply absorbed in the history in which he lives and at the same time he can go beyond it. So when we treat Wang as a writer of mainstream, we must see the complexity shown in his writings.