初唐敦煌莫高窟大幅净土变之建筑图──试论贞观时期和武则天时期莫高窟的某些特点

Artisan’s Technical Styles in“Paradise Palace Scenes” of the Dunhuang Mogao Grottos of Early Tang Dynasty

莫高窟初唐窟群当中，329窟和331窟的壁画在画功特色上存在某些共同之处。上述画功特色接近贞观年间的洞窟，但与武则天时期的洞窟差异比较大。

I have categorized the wall paintings of the Dunhuang Mogao Grottos of Early Tang Dynasty according to the 'artisans' technical styles', with focus on 'Paradise Palace Scenes'. When analyzing how each 'palace' is drawn in the large and sophisticated scenes depicting different Paradises of Buddha, one finds there are many similarities between Cave 329 and Cave 331. These characteristics closely resemble those of palaces seen in the wall paintings of Zhenguan Period (Cave 220).