城市文化中的舞蹈——读写上海舞蹈

Dance in Urban Culture ——On Dance of Shanghai

20 0 3年的舞蹈演出仍旧占了上海舞台演出的三分之一强。 2 0 0 3年上海舞蹈的交流有了更为深入的发展 ,精品工程不再寂寞 ,现代舞的观众队伍也有了大的扩展 ,而更为重要的是 ,作为上海舞蹈的两翼 ,群众舞蹈 (社区舞蹈 )和校园舞蹈在 2 0 0 3年也得到了长足的进步。上海西部企业集团和由其投资创立的上海城市舞蹈有限公司 ,对原创大型舞剧《霸王别姬》的投资成功 ,为民间资本支持高雅艺术的创作 ,迈出了至关重要的成功一步。实践证明 ,借助中国上海国际艺术节的上海舞蹈城理想 ,只要努力 ,是有可能实现的。

In 2003 dancing performance takes up more than one third of stage performances in Shanghai. In the same year further exchanges of dance occur in Shanghai and fine works come one after another so that audience of modern dance has largely increased. Moreover, the two important parts of Shanghai dance, i e. mass dance (community dance) and campus dance are greatly improved in 2003. The successful investment in the original dance drama King Xiang Yu Parted with Concubine Yu made by Shanghai Western Corporations Group and the affiliated Shanghai City Dance Company Ltd. is a good example of non-governmental capital supporting the creation of high-brow art. We can see that, by hard work, it is quite possible to make Shanghai a dance city under the circumstances of International Art Festival held in Shanghai.