摘要
20世纪80年代诗歌中的女性形象突破了50~70年代的单一刻板模式,变得多姿多彩。这种变化主要有三种趋势:一种是对传统女性形象的彻底反叛,以对抗男性中心文化;一种是向传统女性形象的回归;一种是试图寻求一种独立、平等、和谐的新型两性关系。这种女性形象的分化反映了传统的女性价值观受到质疑和解构,女性逐渐成为社会性别关系的一个主体。
In 1980s, the female image in poems broke through the monotonic and stereotyped pattern of 1950-70s and became more colorful. This change mainly has three kind of tendencies: the first is a thorough rebel against the traditional female image and the androcentrist tradition; the second is a return to the traditional feminine image; the third is an attempt to seek a new type of independent, equal and harmonious relation between female and male. This image differentiation reflects a change in which the traditional female values had already been questioned and deconstructed, and female had gradually become the main body of the social sex relations.
出处
《云南社会科学》
CSSCI
北大核心
2004年第5期123-126,130,共5页
Social Sciences in Yunnan
关键词
女性形象
性别关系
黑衣女人
女人味
理想女性
Female images
Sex relations
The lady in black
Womanhood
Ideal woman